Canon EF 70-200mm f/2.8L is II USM Telephoto Zoom Lens for Canon SLR Cameras
Brand | Canon |
Focal Length Description | F2.8 |
Lens Type | Telephoto |
Compatible Mountings | Canon EF |
Camera Lens Description | 200 month |
About this item
- 70-200 mm focal length and 1:2.8 maximum aperture
- Lens construction consists of 23 elements in 19 groups (1 fluorite and 5 UD elements)
- 34-Degree - 12-Degree diagonal angle of view
- Inner focusing system with USM and full-time manual focus option
- 77 mm filter size. Extenders Compatible
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Price | $1,195.00$1,195.00 | -36% $1,148.00$1,148.00 New Price: $1,799.00 | $1,499.00$1,499.00 | $1,128.98$1,128.98 | -15% $1,774.99$1,774.99 New Price: $2,099.00 | -11% $2,499.00$2,499.00 List: $2,799.00 |
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Customer Ratings | ||||||
Image stabilization | 4.9 | 5.0 | 4.8 | 4.0 | 4.9 | 4.7 |
Auto focus | 4.8 | 5.0 | 4.7 | 4.2 | 4.8 | 4.7 |
For portrait photography | 4.9 | — | — | 4.8 | 4.8 | — |
Picture quality | 4.6 | — | 5.0 | — | — | 4.7 |
Sold By | TLC Cams | Minty Gadgets (we track serial numbers) | Amazon.com | Minty Gadgets (we track serial numbers) | Global Camera USA | Amazon.com |
lens type | Telephoto | Telephoto | Telephoto | Telephoto | Telephoto | Telephoto |
compatible mountings | Canon EF | Canon EF | Canon RF | Canon EF | Canon EF | Canon RF |
lens design | Zoom | Zoom | Zoom | Zoom | Zoom | Zoom |
focus type | Manual Focus | Auto/Manual | Auto Focus | Manual Focus | Auto Focus | Auto Focus |
minimum focal length | 70 millimeters | 70 millimeters | 70 millimeters | 70 millimeters | — | 70 millimeters |
max focal length | 200 millimeters | 200 millimeters | 200 millimeters | 200 millimeters | — | 200 millimeters |
fixed focal length | 200 millimeters | 200 millimeters | 200 millimeters | 200 millimeters | — | 200 millimeters |
From the manufacturer
Telephoto Zoom Lens
EF 70–200mm f/2.8L IS II USM
The EF 70–200mm f/2.8L IS II USM brings the performance and quality designed to exceed the expectations of professionals. As an L-Series lens, it provides amazing optical quality, an advanced Optical Image Stabilizer, dust- and water-resistance and other great features for rigorous professional use.
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Great Optical Performance
L-Series Lens
The EF 70–200mm f/2.8L IS II USM offers outstanding optics, reliable performance and refined design.
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Great Optical Performance
Dust & Water-resistant
The EF 70–200mm f/2.8L IS II USM is constructed so that it is dust-, water- and smudge-resistant.
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Great Optical Performance
Reduced Distortion
The EF 70–200mm f/2.8L IS II USM brings high quality images and helps minimize chromatic aberration.
Optical Image Stabilizer
A Sharp Image at Any Zoom Length
For consistently sharp results, the EF 70–200mm f/2.8L IS II USM boasts a powerful Image Stabilizer system that provides enhanced shake reduction for up to 4 stops* of shutter speeds. Two Optical Image Stabilizer modes are provided, with Mode 1 ideal for still subjects and Mode 2 ideal for panning.
High-speed Autofocus
To help capture every movement, the EF 70–200mm f/2.8L IS II USM uses an inner focusing ring USM (ultrasonic motor) system to help deliver fast, precise and near-silent performance. For even more refinement, the EF 70–200mm f/2.8L IS II USM offers full-time manual focus as well.
Compare Lenses
70-200mm | Focal Length | 70-200mm |
1:2.8 | Maximum Aperture | 1:2.8 |
23elements/19groups | Lens Construction | 18elements/15groups |
3.9 ft. (1/2m) | Min. Focus Distance | 4.9 ft. (1.5m) |
| Optical IS | |
3.5 x 7.8 in. | Diameter x Length | 3.3 x 7.6 in. |
53 oz. (1490g) | Weight | 46 oz. (1310g) |
70-200mm | Focal Length | 70-200mm |
1:2.8 | Maximum Aperture | 1:4.0 |
23elements/19groups | Lens Construction | 20elements/15groups |
3.9 ft. (1/2m) | Min. Focus Distance | 3.9 ft. (1.2m) |
| Optical IS | |
3.5 x 7.8 in. | Diameter x Length | 3.0 x 6.8 in. |
53 oz. (1490g) | Weight | 27 oz. (760g) |
70-200mm | Focal Length | 70-200mm |
1:2.8 | Maximum Aperture | 1:4.0 |
23elements/19groups | Lens Construction | 16elements/13groups |
3.9 ft. (1/2m) | Min. Focus Distance | 3.9 ft. (1.2m) |
| Optical IS | |
3.5 x 7.8 in. | Diameter x Length | 3.0 x 6.8 in. |
53 oz. (1490g) | Weight | 25 oz. (705g) |
70-200mm | Focal Length | 70-200mm |
1:2.8 | Maximum Aperture | 1:2.8 |
23elements/19groups | Lens Construction | 23elements/19groups |
3.9 ft. (1/2m) | Min. Focus Distance | 3.9 ft. (1.2m) |
| Optical IS | |
3.5 x 7.8 in. | Diameter x Length | 3.5 x 7.8 in. |
53 oz. (1490g) | Weight | 51 oz. (1480g) |
Videos
Videos for this product
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Canon EF 70-200mm f/2.8L is II USM Telephoto Zoom Review
Jason Abraham
Videos for this product
3:30
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Should You Buy The 70-200mm or 35mm? #thisorthat
Teressa & Corey
Videos for this product
4:25
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My Favorite Lens Of All Time - Canon 70-200 2.8 IS II Review
Jacob A
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What's in the box
Product information
Product Dimensions | 7.83 x 3.5 x 3.5 inches |
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Item Weight | 2.9 pounds |
ASIN | B0033PRWSW |
Item model number | 2751B002 |
Batteries | 1 Product Specific batteries required. |
Customer Reviews |
4.6 out of 5 stars |
Best Sellers Rank | #351 in SLR Camera Lenses |
Is Discontinued By Manufacturer | No |
Date First Available | January 4, 2010 |
Manufacturer | Canon Cameras US |
Warranty & Support
Feedback
Product guides and documents
Product Description
Product Description
The Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. This lens features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. A next-generation Optical Image Stabilizer, provides up to 4 stops of correction at all focal lengths. Plus the EF 70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.
From the Manufacturer
Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, versatility, and sharpness of the lens. For example, they mention it's an outstanding lens with impressive construction and a solid IS function. Customers are also impressed with the color, focus, and image quality. That said, some complain about the weight, saying it' s a beast to carry. Customers also disagree on the value.
AI-generated from the text of customer reviews
Customers are satisfied with the quality of the lens. They mention that it is a very rugged lens, with a solid IS function for low light photography. The lens construction is impressive, and it produces clear, colorful images.
"...At 2.8, this lens is STUPID SHARP!!!!! The NON-IS is pretty good at 2.8, and stopping down to 8.0 showed me crazy sharpness, however, the version..." Read more
"...Focusing, build quality are all 5 Stars and so good that I love not having to worry about either or second guess the focusing system or wonder if I..." Read more
"...I very rarely give a product 5 stars, but this lens truly is the best in its class." Read more
"...It comes with a carrying case and a twist off lens hood made of great quality plastic and has velvet-like material inside the hood to minimize the..." Read more
Customers are satisfied with the versatility of the lens. They mention that it is a great lens for any photographer, with excellent optics and a high aperture value. The lens is heavy and expensive, but it is worth it for the quality and versatility it offers. Customers also appreciate its high aperture and tack sharp auto-focus. Overall, customers are happy with the quality, versatility, and performance of the product.
"...after being thoroughly impressed with the build quality, the nice lens case and hood, I got out my tripod and other prime L glass and shot it..." Read more
"...You get 4 stops vs 3 stops IS.- Improved optics - it has one fluorite and five UD elements for increased optical quality...." Read more
"...It's heavy, don't get me wrong, but this is a far easier-to-live-with lens than a 300/2.8 could ever be...." Read more
"...choice over the others and because of its exceptional build and optical quality will probably remain in my kit for a very long time as I really ca..." Read more
Customers are satisfied with the sharpness of the lens. They mention that it is very fast, and able to capture amazing detail and contrast. Some say that the lens is tac sharp and a able o catch amazing detail/contrast.
"...At 2.8, this lens is STUPID SHARP!!!!!..." Read more
"...This iteration is even sharper, faster focusing, and more conducive to wonderful photographs...." Read more
"...This lens is by far my sharpest lens as all shots come out super sharp and clear with amazing clarity and color and it continues to amaze me...." Read more
"...The sharpness throughout the entire frame and the color renditions are simply superb...." Read more
Customers are satisfied with the color rendition of the lens. They mention that the entire frame and the color renderings are simply superb, it's more contrasty, and offers greater detail. The range is fantastic and the photos look amazing. The images are bright and sharp, and are great for architectural detail. Color aberrations are nearly non-existent in the mk II in high-contrast edges, resulting in sharper images.
"...You get reduced flare, which improves contrast (Your brain tells you it is "sharper")..." Read more
"...The sharpness throughout the entire frame and the color renditions are simply superb...." Read more
"...Tack-sharp images with great color saturation and beautiful bokeh at every focal length...." Read more
"...It definitely delivered. For me it produces its most crisp images at f/11 and the detail even at 100% crop is simply astounding...." Read more
Customers are satisfied with the image quality of the lens. They mention that it takes wonderful images, is good for action photos, and has a 100% crop amazingly crisp. The level of detail is so clear that it makes it possible to capture what you see and how you are seeing it. The lens has top-notch optics and a metal exterior along with full weather-sealing, making it perfect for bird photography.
"...lens was my first L lens and I was DEFINITELY blown away by the image quality and speed of the auto-focus...." Read more
"...To put it in a nutshell "WOW"!! The lens truly has amazing image quality, far better than I anticipated...." Read more
"...It will reduce motion blur from lens movement, but not from the subject where the larger aperture has greater effect.-..." Read more
"...This iteration is even sharper, faster focusing, and more conducive to wonderful photographs...." Read more
Customers like the focus of the camera lens. They mention that it has a very quick autofocus, and the build quality is so good that they love it. Some mention that the focus is faster and quieter, and that the hood is improved. They also appreciate the ability to override the autofocus on the fly without turning off, and mention that having both internal focus and internal zoom means that the lens never extends, nor does.
"...It was a tad bit sharper than my Canon 70-200 NON-IS, the auto-focus is just as fast, and it is a little ligher in weight than my Canon 70-200 NON-..." Read more
"...Focusing, build quality are all 5 Stars and so good that I love not having to worry about either or second guess the focusing system or wonder if I..." Read more
"...Focuses faster and quieter- Larger focus grip area- Improved hood Canon ET-87 - it has a lock that makes it easier to put on and remove...." Read more
"...that doesn't change the length of the barrel, the ability to override the autofocus on the fly without turning off the AF..." Read more
Customers have mixed opinions about the value of the camera lenses. Some mention that it's worth every penny and worth the upgrade, while others say that it is expensive and some will hesitate.
"...this lens and even though 1,969.00 is very steep, it is DEFINITELY worth every penny!..." Read more
"...Yes, the cost is ridiculous, but Canon's L lenses generally hold their value reasonably well...." Read more
"...Bottom line, it is worth the upgrade, especially if you plan to keep it for many years.Cons..." Read more
"...lifetime of exceptional use and value out of the thing - it is worth what it costs. Every penny...." Read more
Customers have negative opinions about the weight of the camera lenses. They mention that it's a beast to carry and it' s very heavy.
"...At times, the white lens can be bothersome. It `is' heavy, and I've noticed that I get tired a lot quicker with version II than the non-is...." Read more
"...The other con, we've all read is about the weight, and yes it's heavy, but when mounted to the camera and in use, it doesn't feel cumbersome...." Read more
"...ConsIt is expensive - but you get what you pay forIt is heavy, especially if you never owned L glass, but to maintain a fixed aperture..." Read more
"...It's a tad heavier, so the specs say, but you really won't notice the difference. There's no question that this is a heavy lens...." Read more
Reviews with images
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The 70-200 2.8 NON-IS is very amazing. I've shot events, weddings, and models with this lens and BOY, this was a lens that captivated on-lookers and brought lots of customers to me. Having a "white" lens tends to give you a professional look as everyone drawn to the 70-200 thought I have been a professional for many years however, at that time, I'd only been serious for a couple of months. It was definitely heavy, however, I wasn't bothered by it unless I was shooting a wedding with it. Even though this lens didn't have IS, I learned how to utilize my flashes to the best of my ability so that I wouldn't have to spend too much time shooting under 1/200th of a second. Check out the Speedliter's Handbook: Learning to Craft Light with Canon Speedlites if you want to learn how to master various Canon flash techniques. I also have a Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras . Even though the 17-55 is VERY sharp, the 70-200 2.8 NON-IS is even sharper however, not by a blow-out. The auto-focus is just TOO FAST! It seems to focus very well in complete darkness and when mounted on my Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-Inch LCD (Body Only) , my only issue is staying humble because I know I'm about to take some great images, as long as I shot between 1/200th and 1/250th of a second of course.
One thing I needed with the NON-IS "is" image stabilization. I got tired of being limited by my x-sync speed of 1/250th and 1/200th respectively. I saw lots of shots that I wanted with only the ambient light, however, my keeper rate below 1/200th was not very great, and when I'm in the "zone" I didn't want to think about adjusting my shutter speed to my zoom range. My clients still had a great amount of pictures, however, I knew that if I wanted to go to the next level, I needed image stabilization.
Sooooo, the search was on! I never stopped stalking the 70-200 IS II however, for a while, I thought of getting the Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens for Canon Digital DSLR Camera . This is the part I need everyone to pay attention because there are not a lot of reviews on the Sigma 70-200 2.8 OS. As far as my research and experiments are concerned, the Sigma 70-200 2.8 OS IS A STEAL!!!!! It was a tad bit sharper than my Canon 70-200 NON-IS, the auto-focus is just as fast, and it is a little ligher in weight than my Canon 70-200 NON-IS! Maybe the Sigma version was sharper because of it's OS (Optical Stabilization), Sigma's version of image stabilization. Also, at the time of this review, the Sigma 70-200 OS is about $600 cheaper than the Canon 70-200 2.8 IS II and the Sigma version also has 4 stops of stabilization.
So, you may be asking yourselves this, "Why did he choose the Canon version over the Sigma if the Sigma version is A STEAL?" There were a couple of reasons.
1. I fell in love with the attention I received from having a white lens.
2. The Canon version has a focus limiter switch.
3. The Canon version focuses almost a foot closer!
4. The Canon version is a little sharper.
5. The Canon version is weather sealed.
To be honest, numbers 1 - 3 matter the most to me. The other reasons are not very significant.
After I bought the 70-200 version II, to be honest, at first I thought it isn't much sharper than the NON-IS nor the Sigma 70-200 OS. Turn the IS switch off, and you have the 70-200 NON-IS all over again, quality wise in my opinion. Version II is noticeably heavier that the NON-IS. I did notice the better lens hood on version II though. I wasn't upgrading for quality though, I just needed IS and BOY, was I stabilized! I also have a Kenko 1.4X PRO 300 Teleconverter DGX for Canon EOS Digital SLRs . When I put the version II on the Kenko 1.4 tele-converter, I was able to zoom in to 280mm and pull off sharp shots at 1/5th of a freakin second handheld!!!! OMG!!!!
I know at first I said that version II is not much sharper than the non-is, however, I did more testing and I proceeded to cuss myself out for being a complete idiot! At 2.8, this lens is STUPID SHARP!!!!! The NON-IS is pretty good at 2.8, and stopping down to 8.0 showed me crazy sharpness, however, the version two is just as sharp at 2.8 as the non-is at 8.0! I almost feel like there is no reason to stop down to 8.0 on version II, if you are concerned about sharpness. I also used to never shoot above 4000 ISO however, with version II, I see great shots at 6400 ISO with my 7D! I even have a better keeper rate at 12400 ISO with my 7D! I still need to test version II on my Canon EOS Rebel T1i 15.1 MP CMOS Digital SLR Camera with 3-Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens to see if I get similar results. I also learned the benefits of having a focus limiter switch on version II. The non-is has one, however, I never really experimented with it. Also, the auto-focus of version II is just as fast as the Sigma OS and the Canon non-is version.
Let me use this paragraph to give the Sigma 70-200 2.8 OS it's props. The fact that it can be compared to the king of all 70-200s says a lot about Sigma. I was shooting the Dallas Fashion Week of 2012 and I saw a fellow photographer knocking down GREAT shots with the Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens for Canon Digital DSLR Camera ! From her LCD screen at least, I couldn't tell the difference between her Sigma and my Canon. Also, if you wouldn't like a lot of attention from a white lens, the Sigma version could suit you fine. Had I not been able to afford version II, I would have bought the Sigma version in a heartbeat!
So, the bottom line is this: If you have the funds, go either Sigma or Canon. You won't go wrong with either. If you want to use your lens as a sort of marketing assistant, go for Canon. You "will" be approached by potential clients at public events. If you want the "best of the best" go Canon version II. If you want to save money and get a great deal, go Sigma. I'm only saying this because the Sigma OS version is STUPIDLY underrated! If you are a pixel peeper, you already know you need only Canon L quality. Now, if weight is an issue, you better go ahead and get the Canon EF 70-200mm f/4 L IS USM Lens for Canon Digital SLR Cameras . I have also tested out that lens and it is ligher than my 17-55! Also, from my research, I hear that it is just as sharp as 2.8 version II. Some sources report F4 IS as being sharper than 2.8 version II! One more point, if you don't need 2.8, just go ahead and get the F4 IS. If you study hard with strobist photography, you can get by without needing to go below F4 for in-door events, if flashes are allowed wherever you shoot. Before I bought version II, because I'm pretty good with off-camera flashes, I rarely shot below f-stop 5.0, even with my 17-55! Check out Captured by the Light: The Essential Guide to Creating Extraordinary Wedding Photography if you want more info on off-camera lighting. I didn't chose F4 IS because I wanted to have more creative options with F2.8.
At times, the white lens can be bothersome. It `is' heavy, and I've noticed that I get tired a lot quicker with version II than the non-is. Also, you may want to pull off some discrete photos however, the white color will tattle-tale on you sometimes. I'm considering getting the Lenscoat Neoprene Lens Cover for Canon EF 70-200mm f/2.8 L IS II Lens (Black) for those particular moments.
I can't believe God has actually blessed me with such a powerful weapon! What made buying this lens a tad better is that Amazon gave me a $100 discount as a gold box deal! I have been watching this lens since it came out and I have prayed about getting this lens as well. It is definitely a blessing to have this lens and even though 1,969.00 is very steep, it is DEFINITELY worth every penny!
PS: If you are saving up for this lens, I have noticed that the best time to buy this lens is during the holidays. Right now, at the time of this post, the price is $2,069.00. For the majority of the year this lens may be $2,399.00 or above! That could make the Sigma OS version more attractive as it will then be $1,000 cheaper!
The image stabilization improvement is noticeable! Before I sold the 1st version for $1,550 (June 2010), I compared the two indoors handheld. I couldn't believe how 1 stop of IS really improved the quality and sharpness of the photos in low light.
With a crop sensor camera Canon EOS 7D 18 MP , Canon EOS 50D 15.1MP , or Canon EOS Rebel T2i 18 MP , this lens is effectively: 112mm - 280mm.
It works great with the Canon EF 1.4X II Extender Telephoto Accessory , it brings the max aperture down to f4, but it is still pretty sharp.
Paired with a 7D or any other 1.6 crop lens, it will become a 156mm - 448mm lens!
I use with this lens with my 7D or the Canon EOS 5D Mark II . It works perfect for both and did not feel like I had to Micro Adjust the focus.
For 1st time buyers of this lens.
- Watch canonpricewatch dot com.
- If you never owned an L lens, you will be shocked at how sharp this is (then again, most L lenses should have that effect)
- If you never had Image Stabilization, this will allow you to take sharper photos indoors. It will reduce motion blur from lens movement, but not from the subject where the larger aperture has greater effect.
- It is weather sealed (you'll notice a black o-ring at the mount) - you'll need to add a lens filter to complete the sealing.
- You can use this for sports to portrait photography. For portraits, you get excellent bokeh at 200mm / f2.8 (the smooth background blur where your subject is in focus)
For those upgrading from the original Canon EF 70-200mm f/2.8L IS USM , I didn't think there was much to improve on (I was wrong!)
- That lens came out in September 2001, so you are taking advantage of 9 years of technological advancement
- The buttons are designed better - I hated how I always switched to MF when shooting! This is now a non-issue (no need to tape it down)
- Second generation Image Stabilization technology that is silent, you could hear the motor sound of the gyro in the first version. You get 4 stops vs 3 stops IS.
- Improved optics - it has one fluorite and five UD elements for increased optical quality. You get reduced flare, which improves contrast (Your brain tells you it is "sharper")
- This focuses much closer at 1.2m/3.9 ft (improved by 8.1" at 200mm) - better for tight indoor portraits
- Focuses faster and quieter
- Larger focus grip area
- Improved hood Canon ET-87 - it has a lock that makes it easier to put on and remove. It has a different texture that is less susceptible to scratches.
- Bottom line, it is worth the upgrade, especially if you plan to keep it for many years.
Cons
It is expensive - but you get what you pay for
It is heavy, especially if you never owned L glass, but to maintain a fixed aperture at f2.8 throughout the zoom range requires lots of glass! Just stop being a wimp already.
Tips:
There are two modes of Image Stabilization: I rarely take it off Mode 1, but use Mode 2 if you plan to pan left or right (to follow a car or someone running)
The focus distance selector is handy, be sure to use if you find that it isn't focusing indoors, it could be that you selected 2.5m - infinity.
Take off the tripod collar if you hand hold it a lot - it just gets in the way sometimes.
Top reviews from other countries
j'attends son remboursement
Reviewed in Mexico on December 30, 2016